![]() ![]() Typically, this involves pulling the exposure and contrast sliders down a bit, the brightness up, and then balancing out with curves. I know that I am going to try to draw as much contrast out of the image as I can without over-processing. I begin post-processing my images in my head the moment I click the shutter. So much of what I do depends on that perfect light and cloud combination, and I have to follow through by choosing the right composition to complement the mood. I tend to shoot most at the golden hours. Those played such a pivotal part in my “color revolution” that I will be very excited for native support. Not to mention the announcement of the upcoming inclusion of the Film Simulation modes. As a person who prints big often, I need the best detail quality that I can get. The tools and integration were a perfect fit for my process, and there is no software that renders the X-Trans files as well as Capture One. Similarly, my first experience with Capture One had that same draw. ![]() Part of the reason that I switched to shooting Fujifilm cameras in the first place was their deep history in making film and their wonderful color science. When it comes to my landscape photography I live and die by my color. I began developing my style along the way and shooting with purpose. I began to see color in a way that I never had before. As a young graphic designer, Photoshop became my darkroom, and the post-processing of my images took on a whole new level of importance. His work showed me not only the raw emotion that you can invoke with a landscape scene, but also the importance of the darkroom in the process. Ansel Adams has been my inspiration since before I picked up my first camera. I grew up with lots of rolling hills, rock cliffs, and waterfalls. ![]() I am from a very rural area in Ohio which is considered the foothills of the Appalachian mountains. When I made the decision to quit shooting for clients, refocus my art, and pursue landscape photography it was because I naturally gravitated towards nature. ![]()
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